The Black Crowes
with Jimmy Page
A Concert Review |
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The Black Crowes have come a long way since I first heard their
version of "Hard to Handle" as it lit up the radio waves
around 1988. At the time I thought it was sort of a rip off of the
way the Grateful Dead did it with Pigpen at the helm in the late 60’s
and early 70’s, but since then they have cranked out several
successful albums and toured extensively, generating quite a
following. With that, hooking up with Jimmy Page strikes me as a
little strange. For a group that is well established like the Crowes,
going out as essentially a backup band to play mostly Led Zeppelin
songs just made me scratch my head. I can’t believe the Crowes
need the money and they are well known on their own. The only
conclusion I can draw is they are Page and Zeppelin fans and jumped
at the chance to support one of their heroes. I believe they first
played together at Net-Aid last fall and did a few shows together
after that, two of which are well documented on a two CD set, which
I do recommend, available only at musicmaker.com. It was, in fact,
after hearing those discs, that I really wanted to see this show.
The show at The World in Tinley Park, IL on Saturday, June 24, 2000
was the first of their summer tour. They were well prepared and
definitely worth seeing. A rainy day that turned into a rainy night,
I think the weather scared off some of the crowd, as the parking lot
was not that full and it was definitely a buyer’s market for
tickets as a lot of people were selling. Lots of people selling,
most of the buyers looked like they were trying to upgrade into the
pavilion, while the lawn contained many brave souls, mostly in rain
gear.
Anyway, Jimmy Page joined the Black Crowes as they took the
stage. So much for the Crowes playing a few tunes of their own to
start. They opened the show with "The Wanton Song" and
transitioned into "Celebration Day". From this beginning
the crowd knew it was in store for what they wanted to hear, Led
Zeppelin tunes. I was curious how the format of the show would work
out. How many Crowes songs would there be? What Led Zeppelin stuff
would be attempted? Any surprise tunes? It tuned out they played
only a couple of Black Crowes’ songs, a wide variety of Zeppelin
tunes got a work out, and a couple of cover songs popped up.
"Misty Mountain Hop" and "Custard Pie" were up
next before the band took a breather.
Of an interesting side not to this reviewer, Jimmy Page played
several different Les Paul’s throughout the show, although only
switching after every couple of songs. On the other hand, the Crowes’
guitarists switched guitars almost every song. Perhaps the young
guys are more picky about their tuning than the Master??? As far as
sharing the guitar duties, Rich Robinson of the Black Crowes often
joined Page in playing twin lead, while at other times throughout
the show, Page let Robinson and Audley Freed, the Crowes other
guitarist, take several leads. All three seemed to be enjoying
themselves playing off one another.
Continuing on, the next song was one of the few Crowes’ songs
of the evening, "No Speak No Slave" while "What is
and What Should Never Be" generated a great response from the
crowd and this reviewer. Chris Robinson entertained the crowed most
of the evening with his hippy-like dancing and general bouncing
around the stage barefoot. I don’t think he stood still for more
than one minute. Chris commented before the next song that since
they were in Chicago they should play some blues. I don’t know if
the next song was unique to the Chicago show, but "Woke Up This
Morning" gave us an opportunity to appreciate Rich Robinson’s
slide work as he, Page, and Freed all took extensive, although not
totally bluesy solos. Page then made one of his addresses to the
crowd, asking how we are doing. A slimmed down, shorthaired Page
looked to be truly enjoying himself. "Ten Years Gone" was
up next that featured some great guitar work that at one point
featured the three guitarists forming a triangle while Chris
Robinson stepped back to let the trio of guitarists let loose.
For "In My Time of Dying" Page switched to Danlectro to
dazzle us with some slide work on this later Zeppelin classic. This
was truly the high point of the show for this reviewer. Robinson
added great vocals to really pull this classic off. Some great Organ
work began and ended "Your Time is Gonna Come Next", which
drew smiles and applause from Jimmy. Chris Robinson led the group
through their "Remedy", much to the crowd’s delight, and
it occurred to me that I felt a little sorry for the few fans who
didn’t really care about Jimmy Page but were looking for more
Black Crowes’ songs. Oh well! Anyway, next up was "Killing
Floor", or is that "The Lemon Song"? I’ll have to
ask Howlin’ Wolf about that. J
I believe it was a Hurdy Gurdy that opened and closed "In
the Light," and it was cool to see this instrument worked into
the show as these are practically never seen at Rock concerts. Jeff
Beck’s "Shapes of Things to Come" got the next work out.
One of my favorite songs, it was fun to see them play it well. Then
Chris Robinson added some harmonica work to the revved up "Nobodys
Fault But Mine". It was nice to see this return to its more
Zeppelin like form after the Page/Plant era of a few years ago
slowed it way down. The main set ended with a massive
"Heartbreaker" which featured an impressive, extensive
solo by Jimmy that had the entire band just stopping what they were
doing and watching. It was truly a sight to see. After nearly two
hours the band left the stage.
A couple of quick minutes later, they were back. Chris Robinson
told us they had been practicing all week and it was nice to play in
front of a real audience. The "encore" portion of the show
began with "Bring it on Home," an interesting version that
began very bluesy with Chris having the mic very close to his mouth
singing in deep voice while mixing in some harmonica. This led into
a sped-up few verses, then ended in the slower blusely style.
"She Talks to Angels" was the final Black Crowes’ song
of the night. "Out on the Tiles" got near a full workout
before leading into "Whole Lotta Love." This was not the
medley style that Led Zeppelin used to do, but did feature Page
fooling around with his auto-tuning, programmable Les Paul to
generate an unusual solo before moving over to do some magic with
the theramin. The band wrapped up right about at 11pm, which we all
know is The World’s curfew time, so the night was over. The crowd
kept going and the lights didn’t come for some time, but the band
never returned. (Just once I’d like to see the mayor of Tinley
Park, come out at eleven and say something like, "These guys
are great, let’s screw the curfew and let them play for another
half hour! The crowd would go nuts…) Overall a good performance to
open what looks like an extensive summer tour. I hope the shows
maintain this level of enthusiasm and maybe even exceed it!
And that just about wraps it up. I enjoyed myself, the crowd
seemed to enjoy themselves, so in the end it’s Two "A Rainy
Night Didn’t Dampen the Show" Thumbs Up from this guy in the
aisle seat. |