Rated: PG | Running Time: 99 Minutes
From: IFC Films
Available on DVD and Digital Platforms: November 17, 2020
Get it via : Amazon
Gemma Arterton plays Alice. Alice is a writer and researcher kind of person. She is also a recluse. She also lives in Southern England.
That seems fine.
The problem is that people don’t like her, and kind of rightly so. How so? Well, not to give an early scene away, let’s just say that Alice has the opportunity to be a nice but, just as you think she might not be that bad, she takes all the items from the counter at the corner store.
Welcome to the movie “Summerland.”
Yup, Alice doesn’t seem to care about people. Combine that with her being a recluse and, well, she also gets tormented by the local kids who think she’s a witch, or a nazi, or that woman who will kill you in your sleep.
Enter Frank (Lucas Bond).
Frank is a young lad who is an evacuee from London, and Alice is being made to temporarily adopt Frank. You see, when London was being bombed during World War II, many children were evacuated to the outskirts of England so they wouldn’t die in the bombings while their parents stayed behind to be part of the war. Yay, save the children!
Well, here is Alice, a woman with no motherly instincts nor any desire to appreciate nor help anyone, now stuck with a young lad who is scared yet still adventurous as young lads might be.
Poor Frank.
Frank works to get acclimated for it’s unsure how long he’ll be away from his parents, and what better way than at a school. There he teams up with a girl named Edie (Dixie Egerickx), kind of the tomboy/outcast kind of girl, who is freaked when she finds out that Frank has to stay with the “witch and maybe Nazi,” Alice.
Life is weird for Frank.
As the movie moves along we get flashbacks to Alice in her young woman days, finding love with someone she can’t spend her life with, and we begin to see how Alice progressed to the jaded woman she has become.
The problem for Alice, though, is Frank, because Frank is actually interested in what Alice is researching and writing about, and yes, you can guess, they venture into a friendly relationship with Alice trying to figure out some of the motherly things she isn’t ready for.
The thing is that up to this point I’m mostly enjoying the movie. It’s progressing as a nice story of how Frank is able to get Alice to live life again and care about people, and most things are easy to figure out as you have the flashback stories of Alice in love with someone in the wrong era, a boy away from his family during war, then loss, then survival.
Then the “Oh, come on!” moments begin as it seems everything tries too hard to make you weepy.
I mean, if you didn’t see the foreshadowing leading up to Frank’s father dying, I apologize for that spoiler, but that seems so obvious from the arc of the story that it was inevitable. And that was fine, but then the progression to my going “Nice going, Edie!” started to lead to the story going where I didn’t think it needed to.
Gosh, this is so hard to write without giving things away, but let’s just say that I was happy with Alice and Frank just helping each other with life that I didn’t need other people to show up nor attempted plot twists to make the story more creative.
This was a little too bad for me because it made the movie kind of a mess at the end, trying to add too many things to “happily ever after” instead of just Alice bonding with Frank in circumstances no one would desire.
The movie, is, however, well done in terms of acting and looks. Gemma does a wonderful job transitioning from the recluse to the woman whose heart opens back up to people, and Lucas does good work playing a young lad just looking for stability in the craziness. The movie also looks beautiful, especially with the scenery of England, although the war scenes in London seem a little stagey.
Look, I can understand how some will find the “tying everything together” super sweet and tear-jerky, but I really just wish they would have let the movie get through the sadness then let Alice and Frank develop as a family. At the end it just seemed to try too hard.
It’s 3 stars out of 5 for Summerland. It’s nice, you might get weepy, but you also might just say “I didn’t need that plot twist.”
The Blu-ray had some extras, a weird behind the scenes that was just “outside” video of the movie sets, with no narration, and it’s got the standard interviews if those are your cup of tea. Not a huge reason to search for the Blu-ray, so feel free to nab this on the digital formats.
That’s it for this one! I’m Andy! L8R!!
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And so it was on a rocking, freezing night at Ravinia Festival near Chicago for the double bill of, as Richard Marx put it, “Two Dicks.” Yup, Richard Marx and Rick Springfield on a night when you would have thought it was the middle of October instead of mid-June.
The interesting thing with Richard Marx, however, is that a lot of his more recent success has come in the shadows, as the songwriter and producer of tons of artists, many of whom you have heard of. Yup, remember “This I Promise You” from NSYNC? He was a part of that. Remember Luther Vandross’ “Dance With My Father?” A part of that, too. Keith Urban’s “Long Hot Summer?” Not just Keith, but Richard, too.
Anywho, Richard Marx’s set consisted of many of the hits you might remember from those 80’s, “Angelina” and “Hold On to the Nights” to name a couple. The crowd loved him, sang along as they should have, and appreciated his song “When You Loved Me” which he recorded with his sons as his “band” on video. He did a fantastic set, including stories of the songs he worked on with the other artists. His NSYNC story was pretty funny, and seeing a young Justin Timberlake in the picture he flashed was, well, actually just made me feel old.
A quick set change brought a video montage of Rick Springfield’s successes, but really, the crowd didn’t need a refresher, well, except maybe that intoxicated girl next to me. Out came Rick to the raucous “Light This Party Up,” and the crowd began to party.
Rick blew through a set consisting of the songs people wanted to hear and a few more recent ones the girl next to me didn’t want to hear. She was definitely in the minority.
“Don’t Talk to Strangers” brought true crowd participation as Rick tossed a microphone into the audience for people to sing into, and “Human Touch” got Rick into the crowd, coming down the aisle, across the seats, and back up to the stage. Funny, or maybe sad, how the song, with lyrics like “Everybody’s talking to computers” and “I’m so scared and isolated in the modern world,” actually has more meaning, some 36 years after it was originally released.
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I am embarrassed to admit that I didn’t realize Randy Bachman was a member of The Guess Who. Sure, I knew the songs “American Woman” and “These Eyes,” but I never knew Mr. Bachman was a part of that magic.
I get so mad at myself when I don’t see the plot twist coming. I also secretly applaud the film folks when they pull it off. And so I must applaud the film folks of “White Chamber” when the big reveal came towards the end of the movie because I just didn’t see it coming.
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Strange things are afoot at the secret lab. Girls are locked away hoping for one thing, to be adopted by a nice family. That sounds nice and all, but as we watch the girls and their training, it appears something else might be going on. Hmm? I’m thinking the good Dr. Miro (Peter Outerbridge) and his assistant Miss Brixil (Sara Canning), may be up to no good. Uh oh!
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“Possum” is not your “axe-wielding” kind of horror movie. Nope. This is one messed up, creepy film. It’s the kind of weird movie where grotesque things infiltrate the minds of the characters and turn them into crazy.
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While watching the movie, “Bohemian Rhapsody,” I had to chuckle when the scene arrived showing the various clips of reviews of the Queen album, “A Night at the Opera” and the epic song, “Bohemian Rhapsody.” Yup, critics really didn’t like the album, didn’t get it, and basically dismissed it. Enter “Bohemian Rhapsody” the movie, and sure enough the critics didn’t really like it, didn’t get it, and basically dismissed it. The problem? The people going to the theater appeared to love it.
Me, I was seven years old when “A Night at the Opera” came out. I can’t say I remember it back then, but what I do remember is “A Night at the Opera” was the first album I ever bought. I remember riding my bike to Big Town in Lorain, Ohio, putting the album on my turntable, and there it was, a skip, during “Seaside Rendezvous.” I didn’t care. I loved the album, and listened to it over, and over, and over. It’s the only piece of vinyl I will not depart with, has a place on my knick-knack shelf, and when I bought the CD of “A Night at the Opera” I would still sing the “skip” during “Seaside.” Queen has always been one of musical influences of my life.